I have practiced dance since childhood, alongside drawing and visual arts, which has deeply shaped my way of perceiving the world.
I initially studied sculpture (Diploma in Crafts and Applied Arts), then film set design at La Fémis. I have been working in this field since 2011 as an assistant and production designer. Alongside this professional practice, I have continued to develop my personal artistic work through participation in amateur dance projects and illustration. In 2023, my artistic practice took on greater importance through a shift toward abstraction, and I exhibited my work for the first time in 2024. Following this exhibition, I developed a strong desire to further expand my artistic practice and share my work more widely.
As a visual artist, I work with various mediums such as watercolor, drawing, and video.
My practice focuses on movement and the constant flow of perception. The techniques I use allow these elements to be represented across time and space.
I approach image-making through sensation, and through the attempt to give form to these sensations via abstraction. My creative process is intuitive and exploratory. I seek to encapsulate an experience by activating sensory memory, an interface between the external and internal worlds.
My experience in dance and somatic practices is evident in my process, through an emphasis on listening and availability. Restoring the body and its sensory functions to a central place is a key aspect of my artistic approach, influenced by ecofeminist movements that reclaim desire as a political force.
The body retains traces of the various states it moves through—shifting, fluid traces in constant evolution, formed through the layering of lived experiences and their memories.